font_designer: Ted Staunton
P22 Mercian is a Roman font with distinctively angled stub serifs. Comparatively even in weight and color. Designed for continuous text setting.
An historical font based on early 18th century printing, with the visual effect of uneven inking and indifferent presswork on handmade paper. Ideal for evoking the period. Effective in continuous text setting or in...
Kaz is a casual yet sturdy hand lettering font somewhere between architectural hand lettering and “comic sans”. Kaz Thin offers a variation for the look of a thinner pen.
P22 Kelly is a Celtic-styled uncial font with a medieval gothic flavor and an overall contemporary feel. The font is an addition to Ted Staunton’s collection of historical and period-based fonts. It is ideal...
Latimer is one of a series exploring a fusion of Roman and Gothic forms. Characteristics of each genre can be seen: the fluid tapering serifs and rounded shapes of the Roman form, contrasted with...
Amelia Jayne is Ted Staunton’s updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new...
Tuscaloosa is a hybrid script that includes Tuscan (bifurcated) serif treatments. The design of Tuscaloosa began as a set of organically-formed initials, the Tuscan serifs being reminiscent of shoots and leaves bursting forth. Tuscaloosa...
The Kingsclere font was desigend by Ted Staunton after finding inspiration in the town of Remedios, Cuba on a 17th century Spanish tombstone inscription. These historic letterforms lend themselves to many uses where vernacular...
A bit of Victoriana whimsy from this set of two fonts is heavily inspired by a variety of 19th Century faces without being a direct revival of any one in particular. Undulating curves, swirly...
Ringwell is pure Victoriana in two styles, plain and decorative, that can be mixed and matched. The Pro version combines the two styles using stylistic alternate features.