font_foundry: Alias

Ano

Ano font

A typeface designed for Another Man magazine. A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular – a ‘standard’ alphabet; Upper Lower – where upper case characters are replaced...

Cactus

Cactus font

A compressed, subtly eclectic typeface. 

Capo

Capo font

The intention with Capo was to make a typeface with a pinched, angled connection between curves and verticals. We have explored this incised, cut motif previously on typefaces, most notably Noah, Sabre and Harbour....

Sabre

Sabre font

I generally refer to our typefaces as ‘graphic’ rather than typographic. By that I mean their starting points are usually ways of constructing shapes and systems of shapes. As with other Alias typefaces, Sabre...

Ano Angular

Ano Angular font

Ano Angular was originally designed for a fashion company. It was to be used as a headline type, half way between the logo we had designed — made up of straight lines only —...

Quair

Quair font

The typeface that became Quair was originally planned as an extension of our Oban typeface. As it developed it became different enough to be a stand-alone, but connected typeface. Quair mixes typographic and graphic...

High

High font

High is defined by a set of simple ideas, or constraints. A non-geometric, humanist shape. A monoline weight. Stencilled, with a horizontal or vertical cut only, the stencil gap consistent ­— so positioned where...

AnoStencil

AnoStencil font

Stencil typefaces are popular because they are striking and decorative, and their associations – whether Utility, Travel, Vernacular, etc – are evocative. Anostencil is developed from, but not exactly like, our Ano typeface. Ano’s...

Schism Two

Schism Two font

Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from...

Schism One

Schism One font

Schism is a modulated sans-serif, originally developed from our Alias Didot typeface, as a serif-less version of the same design. It was expanded to three sub-families, with the thin stroke getting progressively heavier from...