Old Face Open
Old Face Open (Fry’s Shaded) is a decorative Baskerville which was probably cut by Isaac Moore for Dr Fry ca 1788; a revival was issued in eight sizes by Stephenson Blake in 1928. The...
font_foundry: ARTypes
Rosart
Rosart is a digital version of the 2-line great primer letters cut by J. F. Rosart for Izaak & Johannes Enschedé in 1759 (Enschedé no. 811). When the AR type is set at 50...
Zentenar Initialen
Zentenar Initialen is based on the initials designed by Prof. F. H. E. Schneidler, c. 1937, for his Zentenar-Fraktur types. Alternative letters are contained in the AR font. Aa Bb Cc Dd Ee Ff...
Freie Initialen-AR
Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows the 60-pt design.
Graphique-AR
Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.
Gravur-AR
Gravur-AR is a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960.
Initiales Grecques
The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.
Initiales Ombrees
ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.
Maria-Ballé-Initials
Maria-Ballé-Initials are derived from the Ballé series I made by the Bauer foundry. When set at 60 pt this font will match the size of the original 48-pt Didot design.
Bravo-AR
Bravo-AR is based upon a 16-pt type designed by E. A. Neukomm and released in 1945 by the Haas foundry of Münchenstein, Switzerland. in 1948.