Zentenar Initialen
Zentenar Initialen is based on the initials designed by Prof. F. H. E. Schneidler, c. 1937, for his Zentenar-Fraktur types. Alternative letters are contained in the AR font. Aa Bb Cc Dd Ee Ff...
font_foundry: ARTypes
Old Face Open
Old Face Open (Fry’s Shaded) is a decorative Baskerville which was probably cut by Isaac Moore for Dr Fry ca 1788; a revival was issued in eight sizes by Stephenson Blake in 1928. The...
Rosart
Rosart is a digital version of the 2-line great primer letters cut by J. F. Rosart for Izaak & Johannes Enschedé in 1759 (Enschedé no. 811). When the AR type is set at 50...
Freie Initialen-AR
Freie Initialen are derived from initials made for the Stempel Garamond series. The type was issued in 1928 in three sizes (36, 48, and 60 pt); the AR version follows the 60-pt design.
Graphique-AR
Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.
Gravur-AR
Gravur-AR is a digital version of a type designed by Georg Trump and issued as Trump-Gravur by Weber in 1960.
Initiales Grecques
The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.
Initiales Ombrees
ARTypes Initiales ombrées transcribed from 84-pt letters made by Gillé fils in 1828, descended to Deberny & Peignot.
Maria-Ballé-Initials
Maria-Ballé-Initials are derived from the Ballé series I made by the Bauer foundry. When set at 60 pt this font will match the size of the original 48-pt Didot design.
Bravo-AR
Bravo-AR is based upon a 16-pt type designed by E. A. Neukomm and released in 1945 by the Haas foundry of Münchenstein, Switzerland. in 1948.