font_foundry: Australian Type Foundry

Excessive photocopying, with extreme enlargements and reductions to magnify the imperfections, helped to rough the edges and give Not Sassure a non-digital quality.

The name Otis arose from an incident in a shopping mall in which, realising my shoelace was undone while on an escalator, I bent down to tie it, became aware of the approaching end,...

Capturing the free flowing feel of handwriting in a font is remarkably difficult. Spud is another attempt to achieve this.

A funky, lively display font originally designed for a tourism publication.

Based on the text on architect’s plans. The designer asked friends and relatives for the plans for their house extensions, and he studied plans in the public library, then blended the best features of...

This face has a stiff machine-like quality which derives from it’s ambiguous position between semi-serif, slab-serif and display. Barkpipe can’t quite make up it’s mind what category it wants to reside in.