font_foundry: Autographis

Annabella is a joining classical English script, written with a Japanese brush on rough watercolor paper, scanned and finished by hand on screen, taking care to keep the “rough” touch. It can be used...

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Grazia is a joining script with zero contrast. That means that I designed the line of the letters so, that they look equally thick all the time. The script is almost upright and has...

Isara is a rough script written with a flat-nibbed marker, scanned and then carefully digitized to keep that spontaneous feeling.

Paula is a non-joining rough brush script with traces of the brush’s backstroke that give it that typical look. Paula is an open script with very good readability.

Kato is a handwritten mostly-joining script with long, but not overly long ascenders and descenders, that make it a very elegant font. Scanned and finished carefully by hand on screen, with that little bit...

Leona is a handwritten script, that has been tweaked here and there to make it more smooth.

Tina is another powerful script designed in the style of the classic forties and fifties American advertising fonts.

Maeva is a non-joining wide formal 60s script, directly designed and carefully finished by hand on screen, trying to keep the script alive – preventing it from looking mechanical – by drawing each letter...

Nana is a classic joining script with long ascenders and descenders, that is based on a set of unique but forgotten initials that were designed in the roaring 20s and 30s in Paris.