Screener
Game over. Insert coin to continue. 1 coin, 1 play. Credits 00. Screener is the latest child of arcade alphabets. Not too trendy, not too retro, not too stand-out, yet clear and fresh. Although...
font_foundry: Canada Type
Fantini
Fantini is the revival and elaborate update of a typeface called Fantan, made in-house and released in 1970 by a minor Chicago film type supplier called Custom Headings International. In the most excellent tradition...
Dominion
Dominion was based on an early 1970s film type called Lampoon, and named after an edgy 1980s goth-rock song by the Sisters of Mercy. Dominion’s severely geometric shapes are a strange cross between early...
Freco
Freco is a celebration of the short but very productive life of Dutch designer and illustrator Fré Cohen (1903-1943). This font is mostly an assembled compilation of letters Fré created for a variety of...
Silk Script
Silk Script is a revival and elaborate expansion of a 1956 Helmut Matheis script called Primadonna, which strangely remained a metal face and never made the leap into the film age. Silk Script has...
Valet
Valet is deco moderne the way it was meant to be: Big, bold, classy, flashy, and clean at the seams. Its message is rich, strong, confident and reliable. Valet tells you that it’s used...
Militia
Militia is the face of well-orchestrated military coups, tanks and gun barrels, maps and covert plans, camouflage and war paint. It has no irony, patience, or give-and-take politic. It is strong, successful, swift and...
Steiner Special
Steiner Special is a revival and expansion of an art nouveau face called Swing, originally designed by Peter Steiner in 1974. Some of the original film type letters were slightly normalized and toned down...
Redwood
Redwood is the fresh and lively digitization of the popular ATF landmark, Raleigh Cursive. Drawn by Willard Sniffin in 1929, and introduced by ATF in 1930, this classic script is prominently featured in almost...
Serena
The story of Serena is a unique one among revivals. Serena was neither a metal face nor a film one. In fact it never went anywhere beyond Stefan Schlesinger’s 1940-41 initial sketches (which he...