font_foundry: chicken

Message Of The Birds

Message Of The Birds font

A handful of these spiky, sprightly letters made up the twittering title page of ‘Message Of The Birds’, a song by one Flora Warner, found in stacks of crumbling scores on an old upright...

Pigeonpie

Pigeonpie font

Pigeonpie is the second font created by Tim Barnes’ daughter Lydia, aged 7 at the time, following the success of her debut Picklepie. It’s flighty and unpredictable, with a smile on its face and...

Picklepie

Picklepie font

Picklepie was created by Lydia, aged around 6 at the time, for use in her own artwork and things like party invitations, birthday cards and secret files. It looked so lively, happy and original...

Lemon Flower

Lemon Flower font

A flower became crushed in the door frame of the studio (a fancy shed at the end of an overgrown garden)… pretty pale yellow stamens scattered on the floor… I sprinkled some on the...

No Liming

No Liming font

A chunky, laid-back typeface inspired by a hand-painted notice on the doors of a mechanic’s workshop in Plymouth, Tobago. Two different mostly-uppercase alphabets in one font help to keep things loose. ‘Liming’? hanging out,...

Out Back

Out Back font

A twice-painted sign in Tobago’s back country was the seed for this weird grab-bag of chunky, slightly sleazy letterforms.

Galerie Simpson

Galerie Simpson font

An entirely strange, illogical and inconsistent font packed with inappropriate curlicues and appendages “translated and composed” from a few words on a crumbling fragment of Victorian sheet music. It was developed to form the...

Ply

Ply font

So the lumber was cheap – just a pile of offcuts – and so was the carpenter… And you couldn’t say he was exactly lazy, but he was certainly efficient… mostly he would just...

Coo Coo

Coo Coo font

So I made five rather odd characters for a logo for a friend… Then I thought I’d fill a couple of spare hours expanding it to a single alphabet… And some considerable time later...

Pegasus

Pegasus font

Pegasus scrapes the DNA of a great twentieth century painter who scattered text across his work like no other… not any kind of facsimile, but tough, playful, adaptable display type forged from the bones...