Kiss And Tell
You wanted the best and you got the best: The hottest fonts in the world jumping off the pages of the hottest comic in the world: KISS: PSYCHO CIRCUS.
font_foundry: Comicraft
Ladronn
Comicraft first created this font, based on the unique European lettering style of Ladronn, for the Marvel X-book CABLE in 1998. It was later upgraded for THE INHUMANS mini-series, and modified again for the...
Joe Mad
When Joe Madureira saw the custom font we’d created for Jim Lee, he called us up immediately and uttered the immortal words… “I Want One!” We were, of course, only too happy to oblige....
J Scott Campbell Sketchbook
Created for J. SCOTT CAMPBELL’S DANGER GIRL SKETCHBOOK, this slick and stylish font is perfect for architectural drawings, marker comps or, um, sketchbooks!Artwork from Elephantmen: Man and Elephantman by J. Scott Campbell
Jim Lee
When Jim Lee sent us pages of his latest project, DIVINE RIGHT, we knew we had to do something special for him. Something Unique. We knew we had to create a whole new look...
Joe Kubert
The official Joe Kubert font has been digitally mastered by John ‘JG’ Roshell based on Joe’s own specifications for an upcoming SGT ROCK project for DC Comics. Pull up a chair at our Thanksgiving...
Incy Wincy Spider
Spun with webs in mind for the letters pages of the SPIDER-MAN books, INCYWINCYSPIDER is probably one of the World’s CREEPIEST Comic Book Fonts! Handle with care – some letters may stick together!
J Scott Campbell
Cliffhanger’s top-selling DANGER GIRL creator and artist, Jeff Campbell, also topped our first MASTERS OF COMIC BOOK ART poll. Originally Jeff wanted his font to be wholly exclusive to the DANGER GIRL book, but...
Hush Hush
If you thought you heard someone callin’ your name just now, you might have caught the firm but soft spoken tones of Comicraft’s classy balloon lettering font, HushHush. Created in the style of the...
Hyperdrive
If you’re about to make the jump into hyperspace, buckle up and engage your R2 unit with our new font release, HYPERDRIVE! Ten years in the making, we’ve spent almost as much time developing...