font_foundry: GLC

We have created this family from the numerous derivatives in use for newspapers since the middle of the 1800s to the 1970s, inspired by the well known Clarendon. Mainly, the patterns are those used...

This font was inspired by the paint brushed letters in use in the 60 – 70s for protest slogans tagged on the cities walls. In those days, we didn’t commonly use aerosols like today,...

We have created this font as a complement for the 825 Karolus. It is a set of decorated letters in the style of those used by the scribes during the early medieval era. It...

In the beginning of the 800s, during the reign of Carolus Magnus (or “Karolus”, as he signed himself), a great reformation of the written characters was conducted under the authority of Alcuin, Paul Diacre...

This font is not a historical one, in spite of the fact that it was inspired by the Cancellaresca pattern (look at 1491 Cancellaresca and 1610 Cancellaresca). We have created this one as a...

We created this family in an attempt to submit a Plantin’s font pattern overview. So it is not a real historical font, but a “looking like”. We have added the special East European diacritics...

This family was inspired by a font carved circa 1590 for a Polish editor. We don’t know who was the punchcutter, nor the printer’s name. We have added the special East European diacritics (Czech,...

This font was inspired by Spencer’s patterns, particularly the elegant varieties called “Ladies’ Hand” in some handbooks. Intelligent OTF ligatures and alternates (about 160) are included in the font, giving a closer appearance to...

We have created this family inspired by the old-fashioned stencil letters like those the French army used during the WWI to write on soldiers’ clothes, blankets, signals, ammunition, supplies and so on. This is...