font_foundry: Greater Albion Typefounders
Bonnington is a Roman display face full of the spirit of the 1920s, developing further the ideas in our Bonning family. Three weights are offered, including a shadowed black form, in a choice of...
Cullion is a new departure for Greater Albion, being a modern Fraktur, embodying future trends sch as highly stylised glyphs, a single case of lettering and highly evolved letterforms. At the same time it...
Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...
Veneribe -the Venerable face- is an experiment in what many today might call ‘grunge’, though we at Greater Albion would probably prefer to talk of rustic (or if we’re feeling really old-fashioned rustick) charm....
Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a ‘Brave New World’ sprit that harks back to the 1930s and possibly also to postwar rebuilding in...
Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...
Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...
Stannard speaks to us of the happy days of the inter-war period, of enamel advertising ‘street-jewelry’ as seen on the railways and in all the best shops, of youngsters’ train set boxes and toy...
We think of Cherritt as a ‘bullnosed’ serif face, because of its rounded off serifs. What that phrase may not convey is the friendly, approachable nature of this large family of faces. The design...
Paveline is a punctuated script; by which we mean it has the look and character of handwriting, but the glyphs are discrete entities to aid legibility. It is actually based on a moderately stylized...