Carpenter Script
Carpenter® is a beautiful script perfectly suited for invitations and announcements. Created by James West, the design was a facsimile of the penmanship of Mr. Carpenter of R. Hoe & Co. and released by...
font_foundry: GroupType
Broadway Poster
Originally designed by Morris Fuller Benton in 1925, FontHaus’s 1995 revival is based on a design named “Novelty Broadway”. Characters were referenced from “Commercial Art of Show Card Lettering” by James Eisenberg, published by...
Aquiline
Handsome, adventurous, legible and elegant, this script has the feel of practical handwriting from past centuries. Aquiline is based on a cursive italic style influenced by the 16th century European writing masters. The Aquiline...
Spire
Originally designed by Sol Hess for the Lanston Monotype Foundry in 1938, this revival was designed by Ann Pomeroy in the early 90s. Spire is a condensed serif with a very 1930s retro look....
Diane Script
In 1995, FontHaus came upon a rare opportunity to create a revival of Aries,a little known and previously unavailable typeface by the legendary Eric Gill.Discovering a lost typeface by one of the major designers...
Grosse Pointe Metro
GP Metro® is a faithful version of the Dwiggins 1930 urban classic: Metrolight, Metromedium, and Metroblack.In 1929, English type designer, William Addison Dwiggins, (WAD) was commissioned by the Merganthaler Type Foundry to design a...
Ronde Script
Ronde Script (Ronde meaning “A kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look.”) is based on the original design named Parisian Ronde...
Fortis
Formerly named Atlas, Fortis is a 21st century contemporary Latin. Also categorized as a Glyphic, the design was first introduced in the last half of the nineteenth century and is characterized by large, sharp,...
Arbor Brush
Arbor Brush is a fresh and lively brush script from the FontHaus design studio. The design is organic, strong, painterly, and anything but tentative. Great for advertising, menus, signage, or display.
Maxim
Maxim was originally designed by Peter Schneidler in 1956 for the Bauer Type Foundry. This typeface is energetic and has the look and feel of a brush painted script. The FontHaus font studio released...