Based on turn-of-the-century advertising type. A condensed, fat-faced display font with a touch of the medieval. The influence of art nouveau is also present in the high-waisted caps and flowing lines, putting the face...
Chatham is part of the “Staunton Script Family” of fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through 7 generations. The Chatham font is...
Canterbury is a late Medieval Gothic font with a rough edge. This blackletter face is available with four different types of Capital initial letters or combined into one Opentype Pro font with all variations...
Elizabethan is part of the fonts designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through seven generations. The Elizabethan font is based on a style...
The rounded shapes of P22 Elven show the influence of the 10th-century Irish half-uncial. Effective for projects dealing with mystery, fantasy, or historical drama.
Rich curvilinear borders and corner pieces, based on organic forms, for use as individual ornaments or as repeat units in the creation of complex shapes and patterns.
A light chancery script font influenced by both the hand-held pen and the typefounder’s machinery. The curves are reminiscent of the beak of the avocet, a wading bird. This font was originally engraved in...
An alphabet of initials and ornaments in the William Morris style. Perfect drop caps to evoke historical tales and medieval manuscripts. Please note: This font is only 30 characters A-Z plus 4 empty decorative...
Broadwindsor is part of the “Staunton Script Family” of fonts designed by Ted Staunton for his historic novel. The Broadwindsor font is a neatly written script with capitals and lower case in a close...
P22 Albemarle is a smooth reworking of the popular rough textured Roanoke font. The texture change gives this style a much more elegant effect, yet retains its skilled capturing of historical handwriting. Albemarle Pro...