Ashemore
Ashemore developed as a result of my visits to Barcelona, Spain and to Germany, followed soon after by a visit to Asheville, North Carolina. Blending the styles of art and architecture from these three...
font_foundry: insigne
Madurai
The rounded forms found in Chennai have proven to be one of insigne’s more popular designs for web-based company logotypes. Now, insigne’s new superfamily Madurai takes its popular predecessor to a new level, offering...
Boncaire Titling
Inspired by the type elements of 17th century Dutch mapmaking, Boncaire Titling provides you with a historic yet adventurous look for your library. This addition from insigne found its muse in a map of...
Sancoale Softened
Sancoale Softened is the new rounded companion to Sancoale. While the original Sancoale is crisp and defined, its delicate forms also lend themselves well to a lighter, more rounded version. The stems of Sancoale...
Aviano Wedge
Firm and resolute, the sharp, triangular wedge serifs of the new Aviano Wedge stamps your copy with the confidence of late 19th century luxury, wealth, and power. Indicative of banknotes and financial strength, the...
Ashemore Softened
Following the success of the Ashemore family, it became clear that a rounded version of Ashemore would be a great addition to the product line that would allow designers even more design choices. Ashemore...
Coegit
In the world of webfonts, Condensed proportions are key to maximizing your page’s premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction...
Sancoale Slab
The contemporary feel of the Sancoale superfamily takes a bolder turn with this futuristic slab. Built from Sancoale’s successfully simple geometry, Slab’s serif elements and tall x-height give the face an energetic, yet clean...
Blue Goblet Drawn
This best selling series has now been extended to include a new member, Blue Goblet Drawn. Blue Goblet is hand-drawn by the artist, Cory Godbey, and is organic, charming and exuberant. Characters bounce and...
Steagal
I love geometric sans serifs, their crispness and rationality. Le Havre taps into this style, but for a while, I’ve wanted to create a font recalling the printed Futura of the 1940s, which seems...