The design of the type family ›libre‹ started as an University project under the auspices of Prof Lu(as) de Groot in Potsdam. It was enlarged step by step in typographical features and internationalisation. The...
Zucker is an extreme point of type. It is an artifact of neo-classic times (enlightenment) with its beautiful types like Bodoni, Walbaum and Didot. The fineness of copperplate engraving is now replaced by digital...
Chiseld in binary code. Tetraktys traces the aesthetic of wedge and curve in Latin inscriptions over the sixties and brings it to the digital present-day. The Swiss Designer Ernst Friz created the type “Friz...
One of the most ubiquitous typefaces nowadays receives a suiting companion. Sumptuously cut “Times Now” brings a rainbow of greyscale to the monitor and paper. You don’t like the Times New Roman®? It’s not...
The story of “Bodoni Ritalic” began in 2006. It began as a favor for a colleague and was my starting point for dealing with serifed faces. There is one feature that makes this typeface...
The design of YeniZaman started for one project. As it is so often the type was enlarged to a family, fitting more complex typographic settings. Now YeniZaman even comes in three widths: condensed, normal...
The design of the type family ›libre‹ started as an University project under the auspices of Prof Lu(as) de Groot in Potsdam. It was enlarged step by step in typographical features and internationalisation. The...
My Happy 70s has its roots in the baroque, yet is influenced by the type design of the following centuries. The type took formal elements and subtle spatial references from this time span but...