A usable version of the classic artists’ stencil font, picks up from where Josef Albers left off. Pared down for maximum minimalism, yet remarkably readable.
Non Solus, the first digital version of Eric Gill’s ‘Solus’ of 1929, is now offered in four weights, each with an Italic included. The typeface is uncluttered and elegant, more modern and less fussy...
An open inline typeface with a clean, modern feel; Openline offers a more contemporary alternative to Art Deco inlines from the 1920s. Both Regular and Bold versions are included.
Our two Rick Griffin font packages are based on the 1960s psychedelic poster lettering of the Californian artist. Rick Griffin is the regular font without outlines. The Rick Griffin Contour package has the additional...
The Wes Wilson font is an all capitals typeface inspired by the pioneer of 1960s psychedelic poster design, the Californian artist Wes Wilson. A key influence on the letterforms is the work of Austrian...
Blue Plaque is a distressed font that simulates the low relief, white-painted lettering on English Heritage plaques attached to buildings where famous people have lived. For creating mock plaques, a blank disk, with the...
Celtica is a kind of Helvetica meets Hibernia; the font can happily be used anywhere a Celtic identity is required for a twenty-first century context. The ubiquity and clarity of the sans serif lend...
Based on some beautifully blobby lettering, handwritten by printer and mailartist, Alan Brignull. Alan creates amazingly credible artistamps for the virtual countries of Adanaland and the Perfect State of Flatby, lands frozen in boyhood...