Soft Sans
Soft Sans is a modern sans serif family of fonts, businesslike and classic grotesque in origin, but made friendlier and less austere by the addition of rounded outer corners. Soft Sans is designed for...
font_foundry: K-Type
3×5
Based on the squared lettering used for art folders at Joseph Eastham High School in Salford England, most letters being three squares wide and all of them five squares tall. In memory of Tony...
Flip
Flip is a bold outline shadow sans with a counterchange; an eye-catching display font for contemporary usage. Flip is a Rosewood for generations raised on grotesques; a simple modern zigzag replaces fancy Victorian leafiness....
Ticketing
Ticketing is a monospaced font loosely based on the pixel style lettering of electronic ticketing, designed for clarity when cheaply printed at small sizes. Ticketing, however, has a larger x-height than is often found...
Hapshash
Hapshash is an all capitals font inspired by the 1960s psychedelic posters of British designers Hapshash and the Coloured Coat (Michael English and Nigel Waymouth), in particular their 1968 poster for the First International...
Modulario
Modulario is a geometric sans with some disturbingly individual features. A few capitals owe a bit too much to Roman proportions. The circular O serves to distinguish it from the zero, and the luxuriously...
Pop Cubism
The Pop Cubism fonts are inspired by Roy Lichtenstein who combined the strong outlines and benday dots of Pop Art with the fragmented viewpoints and facet line divisions of Cubism. The bold letterforms are...
Savor
SAVOR is a script-ish typeface family that oozes exotic; it’s lively and luscious, flamboyant yet dignified. Like other recent K-Types, the fonts include the new Indian Rupee sign. Savor is designed to look just...
Zabars
ZABARS is a full font developed from the six characters in the spectacular logo of the Zabar’s speciality foodstore in New York City. The Zabar’s lettering is a jewel, possessing greater sophistication and subtlety...
Component
Component evokes the aesthetics of machine-readable matrix barcodes such as QR and Aztec codes, but it could just as easily invoke ancient rituals from a lost civilization. Component is a book-weight, condensed geometric font...