font_foundry: LetterPerfect
Visage is a contemporary text family designed by Garrett Boge in 1988. Its delicate serifs, subtly tapered stems, and generous proportions offer both distinction and readability to the text at any size. The family...
The Wendy family is a cursive script provided in three weights — Light, Medium and Bold. The design is an upright, casual handwriting style, with natural joins and connecting strokes. Wendy, in her various...
Uppsala is a new and original uncial typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its strongly chiseled shapes were inspired by historical northern European manuscript lettering. The face is...
Spumoni plays freely off of the typeface Bodoni. Though commercial lettering is becoming a disappearing craft, Spumoni provides this hand-drawn quality in a digital medium. Its bouncy, playful letters infuse a sense of humor...
Stockholm is a contemporary roman typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its strong yet refined roman character shapes were inspired by twentieth century Swedish lettering. The face is...
Tomboy is a type design based on informal handwriting. Its presence on the page is friendly and easy to read, suitable for correspondence, brief text, and for display use in titles and headlines. Three...
LetterPerfect’s version of this distinctive sans serif design is both legible and approachable, and about as bold as a display font can be. Its friendly persona makes it an ideal choice for greeting cards...
Silhouette is a revival of the Empire typeface of the 1930s. It was designed to appeal to the art deco aesthetic at that time. Silhouette’s character set is expanded to include lowercase, figures and...
Spring is a lively contemporary script that designer Garrett Boge modeled after his own brush lettering. It was released in 1988 at the launch of LetterPerfect’s font collection, and has seen increasing use in...
Old Claude was drawn by Paul Shaw to simulate an old cut of the classic (Claude) Garamond type designs of the 16th & 17th centuries. The pronounced rough edges and coarse letter shapes create...