Font Con Fonts
Headline Modified, also called “Modified Gothic” by some type manufacturers, has a large stroke contrast and very small, pointed serifs. Curved characters feature a brushstroke appearance. Our version is based on a typeface designed...
No. 507 is an elegant headline font with added angled flourishes. Its unique features are angled terminals, small, pointed serifs, and no contrast in stroke weight. It is similar to No. 506, designed by...
No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William...
Gothic is a basic sans serif with thick strokes and minimal contrast. Designs of this nature first appeared in wood type catalogs around the 1840s, and proved extremely popular in advertising and broadside printing....
Atlas is an affable display font (think friendly neighborhood pub) originally created by Day & Collins of London. Atlas has thick strokes and triangular, rounded serifs. Some characters feature curly, decorative elements.
Deco is a minimal, easy-to-read gothic without fuss. Geometry is sharp, strokes are uniform throughout, and characters are slightly condensed. This version is based on wood type of unknown origin, but the design was...
Originally designed by DeLittle of York of England, this face conveys a casual quality with contrasting strokes, rounded forms, and serifs with a brush-like quality. A lovely decorative display font.
Sardis is based on a family of wood type called “Lydian,” designed for American Type Founders Company by Warren Chappell in 1938. The strokes have angled ends, referencing the use of a calligraphy nib.
Circle Sans is one of the most unique wood type font designs we”™ve found. It was made in Europe and our cut measures just 3 picas. Letters are a basic, rounded gothic with a...