font_foundry: Nick's Fonts
This rollicking fun face is based on legendary lettering artist Alf Becker’s Super Thick-and-Thin, his twenty-third offering in “Signs of the Times” magazine. The package includes two fonts: a full Adobe Standard character set,...
This typeface is patterned after lettering on a 1931 poster for a German Spa by Fritz Loehr. Informal and idiosyncratic, it will lend its own peculiar charm to any project it graces. Both versions...
This exuberant face was suggested by a piece of French sheet music from the 1930s for the song Sur un Air de Shimmy, The name comes from an Australian song from the 1950s about...
A 1928 poster by Italian designer Neri Nanetti for Snob Cognac provided the inspiration for this attention-getting offering, named after one of the Marx Brothers’ most memorable movies. Both versions of this font include...
The 1930s produced many distinctive and stylish autos. One was the Auburn, and this typeface was suggested by a period poster for the make. Another fine car of the time gives the font its...
A poster for a Dutch stage revue from the nineteen-teens, designed by Willy Sluiter, provided the template for this warm, wavy and whimsical headline font. The Opentype version of this font supports Unicode 1250...
The first in a series of typefaces based on the work of legendary lettering artist Alf Becker, whose works appeared in Signs of the Times magazine for almost thirty years. Originally titled “Extreme Thin...
This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.