font_foundry: Nick's Fonts
Extrabold and exuberant caps from a blackletter face rendered by Ross George in his perennial Speedball Text Book have been combined with a more restrained and traditional lowercase to create a unique and striking...
Whoever knew the Red Menace could be such fun? This bold and bouncy face is based on a Cyrillic alphabet presented in the book Schrifti Alphabeti, published in the Soviet Union in 1979. It...
Fire up the incense and break out the love beads! A 1968 poster for a Doors concert by legendary artist Gary Grimshaw provided the inspiration for this wild, far-out and funky romp through the...
A sign at the 81st Street (Museum of Natural History) New York subway stop provided the pattern for this mosaic tile face. The font features a full-tile background at the bar position (shift-backslash) and...
The letterforms of Lucien Bernhard’s stylish, if somewhat anorexic, Bernhard Fashion were beefed up and complemented with thick-and-thin stroke variation to create this elegant family, available in normal and bold weights. Additionally, Bernhard’s…
This rugged typeface is based on letterforms in the Cherokee Syllabary, reputedly devised by a gentleman named Sequoyah in the early nineteenth century. In addition, Native American petroglyphs—some authentic Cherokee designs, some from other…
Blandford Press strikes again, with a delightful, delicious, de-lovely offering from their 1946 tome, Lettering for the Commercial Artist. The editor, A. H. Hunter, called this one simply “The Elegant Alphabet” and cautioned that...
In his book of 100 Wood Type Alphabets, Rob Roy Kelly called this face “Teutonic”. This version adds lowercase letters, missing in the original, plus a few woodcut dingbats in the brackets, bar, section...
This is a condensed version of an old classic, Thorne Shaded. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau...