Font Con Fonts
SpittingImage is a font which speaks of mechanical exactness, cool and reserved. The SpittingImage font family is formed by two different weights (regular and bold), each one with uppercase and lowercase letters, numbers, punctuation...
Rosalia is an impulsive typeface designed by Heinz Schumann in 1964 as Stentor for Typoart Dresden. The marked stroke contrast and the spontaneous look typical of handwriting gives the typeface a lively, energetic character....
Ebura is a funny and fashionable sansserif (or semi-serif?) type. Extended Latin, extended figures and SmallCaps are supported in OpenType. OpenType features: Ebura contains 740 Glyhps Standard Ligatures Discretionary Ligatures Denominators Ordinals…
PT Baroque Borders B is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressed greeting cards, wedding-greetings or decorative certificates.
PT Baroque Borders A is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressive greeting cards, wedding invitations or decorative certificates.
Johann Michael Fleischmann was born June 15th, 1707 in Wöhrd near Nuremberg. After attending Latinschool he started an apprenticeship as punchcutter in the crafts enterprise of Konstantin Hartwig in Nuremberg, which ought to last...
The BATTISTA typeface stands in the long tradition of the designs developed by Giambattista Bodoni, who made his famous typefaces in the end of the eighteenth century. Similar designs can be found on various...
Sinkwitz Gotisch is a new release of the font of the same name originally designed by Paul Sinkwitz in 1942. The Sinkwitz Gotisch was 1942 by Schriftguss AG Dresden font cast first cast and...
PHOENICA is a contemporary humanistic typeface family suitable for traditional high-resolution print purposes, office application and multi-media use. Of the creation formed the basis an idea which was developed for the first time by...
Phoenica Std Mono expands the already large family of my very successful Phoenica. The motivation to develop a new mono-Phoenica family was that I was not satisfied with monospaced fonts in programming code, or...