Bellucci is the redesign of Ramiro Espinoza’s first typeface, Mabella. Being not happy with the original design, he decided to redraw it completely and add 3 new weights. Bellucci is a constructivist, modular, compressed...
Lavigne is a type family that is aimed at publications such as interior design and women’s magazines—anywhere a touch of distinction is desired. In the opinion of its designer, glossy magazines have been boring...
Barbieri is a casual sans type family, based on a German lettering style from the 1960s. The original hand-drawn alphabet was used in a rather peculiar edition of Der Barbier von Bagdad, an opera...
Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable...
Dulcinea is the title of Ramiro Espinoza’s in-depth look at Spanish Baroque calligraphy’s most extreme tendencies, and especially at some of those produced by the writing masters Pedro Díaz Morante and Juan Claudio Aznar...
‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the...
Winco family can be labelled a humanist sans-serif, but in spirit it is more closely related to that rather rare typeface category called ‘glyphic’ or ‘incise’. While conceiving Winco, Ramiro Espinoza studied the work...
Kade is a display/semi display sans family of fonts based on vernacular lettering photographed over the last ten years in and around the harbors of Amsterdam and Rotterdam. Hence the name Kade that translates...
In 2014 Paula Mastrangelo presented her first type family, Laski Slab. Over the last year, Ramiro Espinoza worked to expand the system and the outcome was Laski Sans, a refined humanistic sans addressing many...