Celebration
A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing ‘N’, ‘o’...
font_foundry: RMU
Schmale Anzeigenfraktur
The idea of creating this font is based on Koch’s Schmale Deutsche Anzeigenschrift which was released in 1923 by Klingspor in Offenbach, Germany. This font was entirely redrawn and completed with the help of...
Schmuckinitialen
Two fonts entirely of decorative initials of which the uppercase basic letters of RMU Initials One are occupied by Walthari initials, the lowercase ones by Eckmann initials, both released first by Rudhard, ’92sche Gie,...
Zierfraktur
This highly stylish, engraved blackletter font was cut by Rudolf Koch between 1919 and 1921 for Klingspor in Offenbach on Main. It was then sold under the name Deutsche Zierschrift. I completely redraw and...
Caslon Gotisch
A blackletter font by William Caslon (1692-1766), with Dutch influences, which appeared for the first time in a font sample book of William Caslon & Son, London, 1763.To access all ligatures in this font,...
Forelle Pro
The basic forms stem from Erich Mollowitz’ version which he cut for Trennert in 1936. These fonts were completely redrawn, extended with East European letterforms and some OpenType features. They are well suited for...
Contact Pro
Based on the letterforms of Matheis’ Contact, this font was completely redrawn, digitized and extended to include Central European glyphs.
Kleist Fraktur
In the late 1920s Walter Tiemann cut this font for Klingspor Brothers in Offenbach am Main. It comes close to Luthersche Fraktur and, though quite slender, possesses a good gray value and readability. This...
Typoskript Pro
In 1968 Hildegard Korger’s Typoskript was cut by Typoart in Dresden, Saxony. This freshly redrawn and digitized version was extended to include Central European, Baltic and Turkish letterforms, and possesses various OTF features. It...