Gravira
Herbert Thannhaeuser’s Gravira, released by Schelter & Giesecke in 1935, redrawn and revived for nowaday’s use.
font_foundry: RMU
Lenbach
‘Lenbach’ is a revival which was inspired by a late-19th century German font design. It comes with both Western and Central European characters, as well as Baltic, Romanian and Turkish characters.To get access to...
RMU Czeschka
Thanks to the Quay Brothers, London, who provided me with original materials, I was able to revive Carl Otto Czeschka’s beautiful Czeschka Antiqua which was first released by Genzsch & Heyse in 1917. Since...
Goethe Fraktur
First released by the Woellmer Foundry, Berlin, in 1910, Goethe Fraktur is a strong and legible blackletter font which has been now revived and carefully extended for modern use.To get access to all ligatures,...
RMU Royal Sans
RMU Royal Sans is an early 20th century sans serif which was first released as Wotan by Wagner & Schmidt in 1914. The regular version is the most beautiful and characteristic of this family...
Litfass
Litfass is a revival which follows a turn-of-the-century German Art Nouveau font, once released by the Flinsch Foundry.To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.
Remus
Both fonts of the Remus family are complete redesigns of turn-of-the-century fonts. The regular style is based upon an inhouse design of Schelter & Giesecke in 1889, called Romanisch. This font was adopted by...
Gutenberg Gotisch
Gutenberg Gotisch is a redesign of an inhouse font released by Bauer in 1885, and it is a predecessor of Princess Engraved. So both fonts make a perfect match. The long s can be...
Enge Journal Antiqua
Hermann Zehnpfundt’s Enge Journal Antiqua, released by the Emil Gursch Foundry, Berlin, in 1910, revived and redesigned.This font contains also a long s, which can be reached by typing option + b, or turning...