Richler
An open, evenly spaced book face designed for quality headlines and enhanced readability in text.
font_foundry: Shinntype
Pratt Nova
Shaped by constraint to accommodate a large character count, Pratt Nova has massive form: semi-condensed, large x-height, short descenders and capitals. And yet it transcends its restrictive origins in abundance, expressing a spirit of...
Pratt Nova
Shaped by constraint to accommodate a large character count, Pratt Nova has massive form: semi-condensed, large x-height, short descenders and capitals. And yet it transcends its restrictive origins in abundance, expressing a spirit of...
Brown Pro
At text size, Brown is a classic grotesque, distinguished by its semi-condensed proportions—especially in the capitals, which harmonize well with the lining figures—and an exceptional clarity in certain high-resolution media, such as offset…
Figgins Standard
To meet the burgeoning demands of commerce, type founders in 1830s London introduced a plethora of new fonts which abandoned the traditional nib-informed model. Most radical were bold, capital-only designs with almost no stroke...
Gambado
‘Bounced’ is the technical (!) term for a higgledy-piggledy style of lettering in which characters are shaken up by a combination of rotation and vertical displacement from the presumed norm of upright stance on...
Gambado
‘Bounced’ is the technical (!) term for a higgledy-piggledy style of lettering in which characters are shaken up by a combination of rotation and vertical displacement from the presumed norm of upright stance on...
Boxley
The original superellipse typefaces coincided with the emergence of the CRT (cathode ray tube) TV screen, but there is more than this visual analogy of high-tech in play, as the pumped up angularity of...