Fantan
From an early 20th century sign painter’s copy book. We gave it a softer treatment than many of the faux-Asian faces have. We also added a lowercase, as is our wont.
font_foundry: Solotype
Faust Text
Barnhart Bros. and Spindler called this Faust Text when they introduced it in 1898. A quarter of a century later, they brought back a number of obsolete faces and renamed them. This one became...
Bandstand
Our notes say this was originated at the Barnhart Bros. & Spindler foundry in Chicago, and named Cable. Perhaps so, but we didn’t find it in any of our BB&S catalogs. We made a...
Coney Island
This is based on a mid-Victorian Connor’s foundry font originally known as Manhattan. One of several old faces known in America as “French Clarendons”, in Europe as “Italians”, and, wait for it, in France...
Dawson
Redrawn from an old wood type we picked up in London. The original manufacturer is unknown. We added the lowercase to increase is usefulness.
Minsky
The Bruce Foundry in New York gave this Italian Clarendon the catchy name of Ornamented No. 1529. The original had a top right white shadow which we eliminated. Additionally we improved the color of...
Pacifica
This is really Congo from Barnhart Bros. & Spindler, but we felt it would be improved if we smoothed out some of the curves slightly. Conjures up visions of Pacific Islands and other exotic...
Stamps
We have a penchant for types that connect to form a ribbon or band. Here’s another one, and no amount of words will excuse it.
Mozart
This font was originally called Mozaik. The lowercase postion has a few alternate characters in place of the basic ones.
Berolina
A circa 1900 type from the foundry of W. Grauneau, Berlin. A great utility face as it works well as the “plain” face with other decorative type of the same era. Reads well in...