This font is a somewhat modified version of the original issued by the Manhattan Type Foundry in the 1880s. This New York foundry was in business for less than five years, so its fonts...
When you use this font, be sure to look for the two different sets of end and spacing pieces, one with stars, one without. The ends are on the Bracket and Brace keys, and...
No telling how old this font is, because it came from Hamilton, a firm that was late in the wood type business, but was the repository of many older patterns from earlier wood type...
We began with the Victorian font Dotted, so-called because the counters of many of the letters contained a dot. We knocked out the dots, added a lowercase, and voila! a more useful type than...
Our penchant for banner types lives on. This one is our take on an 1880s font called Mezzotint. Banner fonts give the appearance of art work, without having to do any. We like that.
This came from an early-1900s lettering book. Never was an actual font, but it has a quaint look that should be useful. We hate to see alphabets just fade away, which is why we...
We took a distressed-looking Victorian type called Cabinet and redesigned it with clean lines to make it more suitable for today’s decorative work. Quite readable in all sizes.
This popular type was manufactured by the Crescent Type Foundry of Chicago and sold on their behalf by a half dozen other foundries. Introduced in the early 1890s, just as tastes were swinging away...
This is Solotype’s alternative sans serif version of the once popular caps-only font Atlanta issued by the Central Type Foundry in St. Louis in 1885. As we often do, we have created a lowercase,...