Organica Pro
Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides...
font_foundry: Sudtipos
Savior Sans
Savior Sans is the third collaboration between Sudtipos and Vástago, this is a 9 weight typeface in 3 different widths, condensed, regular and expanded. Its simple design with open shapes offers a different texture...
Almoneda
Almoneda: Sale at public auction of movable goods, generally used. And also: private and voluntary sale of jewelry and junk that is made without the intervention of justice. Formerly, it was nothing more than...
Terafile
Terafile, a sans serif family designed by Raúl Plancarte who was inspired by hi-tech aesthetics. It is made up of eight weight variants with their respective italic versions. Ideally it works to capture in...
Seferis
«Seferis» is an uppercase typeface with a wide repertoire of ligatures, stylistic alternatives, and some swashes. It also has an important language coverage based on Latin.Although the «Seferis» family is mainly influenced by the...
Identa
Because we know that you will never get tired of using them and that you will always need a new tool for Identity Design, we created Identa. Conceived to translate corporate and humanist ideals...
Hopfen
During many years I have been exploring the translation from lettering or calligraphy to type design. Lately I have been designing more big sans and serif families plenty of weight. One of the main...
Frigga
Frigga is a typeface that settles its roots in the Baroque Dutch tradition of text typefaces and northern european type forms. Carefully crafted for an optimum balance between its solid historic structure and a...
Wienerin
The starter point of the Wienerin typeface is based on the work of Austrian designer and artist Carl Otto Czeschka who was part of The Wiener Werkstätte, an early twentieth century association of designers,...
Varietta
Varietta is the result of my fascination with photographing the type designs of some marquees in Spanish markets. In them you can see many letter designs with reversed contrast and in different widths, probably...