TWT Prospero
TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for...
font_foundry: Timberwolf Type
Sarabande
Sarabande is a painstaking reproduction of Jean Jannon’s famous “Garamond” of 1621 — also known as “Caracteres de l’universite.” Whereas the original was intended for setting French and Latin text only, Sarabande has all...
Sekhmet
Stylish, elegant, and alluring, Sekhmet got its name from the lion-headed war goddess of ancient Egypt. And the typeface does possess a kind of feline, forward-directed energy – a result of its calligraphic detailing...
TWT Pavane
TWT Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch. Chelsea Studio is based on hand lettering from architectural sketches by Charles Rennie Mackintosh.
Paestum
Paestum is a Latin typeface inspired by Greek inscriptions of the 6th and 5th centuries B.C. Its name comes, suitably, from the Latin name for Poseidonia, a former Greek city south of Naples whose...
Pressroom
Pressroom is a modern “legibility face,” designed to be easy-to-read under even the harshest conditions. As you might expect of such a typeface, it’s got an ample x-height, robust serifs, and minimalist descenders —...
Rococo Titling
Rococo Titling is a set of ornate titling caps based on work done by Jacques-Francois Rosart (1714-1777) and Pierre Simon Fournier (1712-1768) during the middle decades of the 18th century.
New Millennium Sans
New Millennium Sans is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New Millennium Linear;...
New Millennium Linear
New Millennium Linear is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New Millennium Sans;...
Eleonora
Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might’ve been called a “late transitional face” and lumped together with Bell and Bulmer. But it’s a modern typeface,...