font_foundry: Type-Ø-Tones
Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real ‘architect typography’, with a basic and radical approach to pure geometric forms. The three basic styles...
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and Lisa...
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it...
Karol Sans is the perfect companion for Karol, without being a literal translation of it. It has its own personality and offers a wider range of six weights and their italics which gives it...
We usually describe Mayayo as no good for condolence letters, nor for carving inscriptions, etc. Indeed, as we have seen, the designers who choose Mayayo used it in funny different ways.
We usually describe Mayayo as no good for condolence letters, nor for carving inscriptions, etc. Indeed, as we have seen, the designers who choose Mayayo used it in funny different ways.
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase “universal” font which has always been considered to have very little future; this is why we have...
Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase “universal” font which has always been considered to have very little future; this is why we have...
Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.
Despatxada letters are the scans of the alphabet of a manual rubber press. Letter by letter. Real prints. Real textures. You will not find another typeface like this. An heroic font in the digital...