This humanist sans-serif typeface was exhaustively designed, full-featured typeface family that reveals its character and distinctiveness in complex text. It features a large complement of ligatures, lining and old-style figures, expert characters…
This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only roman characters.
Lisboa Sans Hebrew is humanist sans-serif typeface, the design approach is much more simple and neutral than Lisboa Hebrew font family. Latin transliteration characters were also included.
This humanist slab-serif style is an extension from Gazeta font family, the letterform are more sharp, racional and mechanical. Italics are having small differences from roman letterforms, the characters are slightly more narrow (weight)...
The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned...
The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned...
This font family is simplified Arabic which was inspired from the modern Naskh style, where the reverse contrast is low and the counter forms are open. The original design is from the Lisboa Sans...
The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.
This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The lowercase italics contain different structure from roman characters, but the...
This font family is display stencil sans-serif with different stylistic layers available as open type font. The main characters are geometric and neutral but when we change the contextual alternates open type feature the...