Buxotic is an unusual display typeface with a kitschy design. Its burlesque letterforms and strange ornamental elements lend it an adults-only aura. Most Latin-based European writing systems are supported, including the following languages. Afaan…
Corzinair is a simple typeface with a pragmatic, modern take on the roman form. The rugged serifs aren’t exactly slabs, but they’re tough enough to project a serious voice. The wide, squarish shapes of...
Hybrea is a neoteric sans-serif typeface inspired by automobile and aerospace industrial design. Lines bend unexpectedly, giving your phrases a sense of originality and high-tech wonderment. Hybrea comes in seven clean weights, italics, and...
Xenu is a technical-style sans serif typeface. Constructed, mechanical forms and robotic accents give Xenu a stark, methodical feeling. Xenu is available in 4 weights plus italics.
Alphii is a sophisticated, angular typeface. Despite its precise straight lines, Alphii’s austere, and easy to read nature makes it an excellent choice for conveying your message in a serious, technical tone. Alphii is...
Regra is a squared, high-tech contemporary typeface. Its distinctive industrial letterforms reflect cutting-edge technological design. Allow Regra to infuse your message with a sense of one-of-a-kind style and technological accuracy. Regra comes in…
What happens when a printer meets a chainsaw and a player piano? A chain printer was a piece of 1960s computer technology that printed at alarmingly fast speeds, even by today’s standards. Band printers...
Antihistory is an aged, distressed typeface. The majority of vintage typefaces are based on designs from before the mid-twentieth century. Antihistory was created to resemble an ancient type from the late twentieth century and...
Sarasori is a modern architecture and high-tech industrial design-inspired rectilinear display typeface. Unconventional letterforms, obscure vector logic, and technical serifs work together to offer your message a surreal and precise voice. Sarasori…
The reductive features of twentieth-century sans-serif display typefaces are nothing new. But how far can a design trend go before running out of steam? Steam power was the last thing Typodermic principal Raymond Larabie...