One in the series of fonts celebrating the halcyon days of handlettering. Mrs. Bathhurst is based on an alphabet from 1916, prepared by Fred G. Cooper. Warm, endearing, and a little quirky, Mrs. B...
One in the series of fonts celebrating the Halcyon Days of Handlettering. Magic Lantern is a caps and small caps font based on an untitled design by Samuel Welo, whose Studio Handbook for Artists...
One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Jefferson Pilot’s unusual letter treatment isn’t for every project, but for projects that need a great “old-timey”...
One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Gullywasher is distinguished by its unusual letterforms and “pineapple” serifs. The font takes its name from a...
One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Dime Box is bold and boxy, and creates an interesting visual flow with its notched serifs. Named...
One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Brazos is an ultrabold, ultrawide sans-serif face that takes up a lot of horizontal territory, but fits...
Another delightful offering from “The Signist,” compiled by R. Henderson in 1903, named after the comic strip that introduced the world to Popeye the Sailor in 1929.
One of countless variations possible from the modular lettering system called “Super Veloz”, developed by Spanish type designer Joan Truchut-Blanchard in the 1930s. This particular variant, for whatever reason, was called “Bob” in the...
A rollicking fun, freewheeling font based on designs compiled by R. Henderson in the 1903 book, The Signist. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character...
Move over, Archie Bell! Here’s a family of fonts designed specifically to be set big and tight. Three basic styles — round serif, square serif and oldstyle — with variants in weight and width....