Funky Tut NF
Two handlettered typefaces from J. M. Bergling’s 1914 classic, Art Alphabets and Lettering collided to produce this lively and unusual combination. The caps were originally called “Morocco”, and the lowercase are taken from his...
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Durham Abbey NF
This graceful charmer is based on a Victorian-era typeface called “Romanesque”. It takes its name from a cathedral in England considered by many to be the finest example of Romanesque architecture in the British...
Snooty Fox NF
This casually elegant typeface is based on an unnamed offering from Pen & Brush Lettering and Practical Alphabets, published by Blandford Press, Ltd., London, in 1929. Good taste dictates that, because of the ornate...
Smackeroo NF
The model for this monocase typeface was issued in the early 1900s by Barnhart Brothers & Spindler with the rather prosaic name of Steelplate. A hundred years later, it still retains its currency (ouch!),...
Novadam Obese NF
This typeface derives both its style and its name from a logotype design for an eponymous magazine, executed in the 1940s by Catalán type designer Joan Trochut Blanchard, of Supertipo Veloz fame. Its strong...
Chemin De Fer NF
The basic letterforms for this typeface were found on a 1920s French poster for Les Arts de Feu by an unnamed artist. The stark geometric forms have been dressed up with an outline treatment,...
Blandford Woodland NF
The chapbook Pen & Brush Lettering and Practical Alphabets, published by Blandford Press, Ltd., London, in 1929 averred that these letterforms suggested a lightface version of Neuland. And so they do, with the added...
Slapdash Deco NF
This casual, carefree face is based on a showcard alphabet presented by Cecil Wade in his Manual of Lettering. Its extrabold weight, sketchy styling and playful letterforms make it perfect for attention-getting headlines. Both...
Rockin Roman NF
Here’s another gem from Blandford Press’ Pen & Brush Lettering and Practical Alphabets. Pleasant, playful and packed with personality, this typeface rocks.
Kunstgewerbe NF
J. M. Bergling called the inspiration for this typeface “modern”—at least, it passed for modern in 1914. Its bold, sinuous forms and unusual decorative treatment suggest stained glass of a certain era, and so...