Packard Old Style
Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916),...
font_category: decorative
Packard New Style
Steve Jackaman & Ashley Muir. Packard New Style is a smooth version of the lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller...
El Paso Pro
In the 1970s, Face Photosetting in London was known as the preeminent typesetting house in London. Steve worked in the studio in Newman Street and Hanway Place. El Paso Pro is a family of...
Canterbury Old Style Pro
Canterbury Old Style Pro is a two-weight serif font family with a small x-height. In 1920, Morris F. Benton designed the original weight for American Type Founders (ATF). Raymond Vatter and Steve Jackaman produced...
Steelplate Gothic Pro
Steelplate Gothic Pro is a sans serif font family with traditional and drop shadow weights. It shares letterform similarities to conventional Copperplate Gothic families, but has no spur serif endings. Most of the original...
Bodoni Campanile Pro
Bodoni Campanile Pro is a font that bridges the gap between a “fat” and a compressed traditional serif typeface. It was originally designed in 1936 by Robert H. Middleton for Ludlow. International TypeFounders exclusively...
Hancock Pro
Hancock Bold Condensed is slab serif typeface. The original Hancock design was produced by the Keystone Type Foundry, circa 1903; a condensed version was added circa 1917 by Lanston Monotype. Steve Jackaman (ITF) designed...
Alghera Pro
Alghera Pro is a casual script font family. It was digitally engineered in 1996 by Pat Hickson of P+P Hickson and Steve Jackaman of International TypeFounders, Inc. (ITF). Jackaman revamped the family in 2017...
Walburn
Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full effect.
Artefact
Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.