font_category: decorative

Condensed “modern” family based on the early 19th Century Walbaum typeface. A variety of treatments for use at sizes ranging from text to large display, where the micro-detailing comes into full effect.

Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.

Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.

Rearranging the conventional disposition of thick and thin strokes in the Modern (Didone) class of typeface.

This critique of the utilitarian is a perverse and disjunctive mash-up of thematic devices: sans mixed with serif, stroke contrast applied to techno armature, body parts displaced and elided. We are asked to admire...

Eunoia is an eye-popping, high-contrast, condensed, geometric, sans serif typeface. The family is not, as is usual, built around variance in weight or skew, but alternate letterforms. Eunoia is a system of six fonts...

Eunoia is an eye-popping, high-contrast, condensed, geometric, sans serif typeface. The family is not, as is usual, built around variance in weight or skew, but alternate letterforms. Eunoia is a system of six fonts...

Everything about Softmachine—the rounded terminals, the bold weight, the letter forms and proportions—is designed with one objective: to create a uniform distance between letter strokes, in and between characters. This is achieved by the...

Sporting pot-hook serifs and a tiny aperture, the Scotch Modern was an evolution of the Didone and Scotch Roman classifications, becoming the default type genre of the 19th century. Recontextualizing the 10-point type of...