Auntie Pat
Auntie Pat is a new script font in my continuing objective of designing scripts that I can really use. Of course, I am looking for readability in booklets. In many ways, Auntie Pat is...
font_designer: David Bergsland
Amitale
Amitale (A-mi-tah’-lay) is the union of Amitale Book and Amitale Wide into a new 8-font book family in my continuing objective of designing a better font family for readability in booklets. My goal here...
Amico
This is a new barely modulated, slightly narrow, sans serif font family. It has eight styles: thin, thin italic, regular, italic, bold, bold italic, black, & black italic grouped into two 4-font families: Amico...
Alexandrya
Alexandrya is a subtly modulated block serif font family with a humanist sensibility and all of my personal style for font design. A distant ancestor of the basic letterforms is Minister (a German font...
Arinar
Arinar is a well modulated, rounded, humanist sans serif font family based on Brinar. A distant ancestor the basic letterforms is Minister (a Dutch bible font of the 19th century) through my first font,...
Aramus
Aramus is a new serif font in my continuing objective of designing book fonts that I can really use. In many ways, Aramus is a very different direction for me. It comes from a...
Bling
My second font for 2009, Bling is a hoot. This vaguely Deco, sparkly sans is for those heads that need bling. This is the first font released in a long time without my complete...
Aerle
My first font for 2009 was Aerle. It is a new dark sans serif font in my continuing objective of designing book fonts that I can really use. It made a little ripple in...
Arturo
Arturo is a brand new font family drawn from the original inspiration of an old alphabet in one of Dan Solo’s Dover Clip Art books. It has moved far away from those raw roots,...
Acadami
Acadami is an experiment toward what will hopefully be my masterwork (probably named Hackberry). It’s also the font used as I get used to FontLab 5. The serifs are stronger and sharper. It’s modified...