font_designer: David Bergsland
The Artimas family is the new book design font family developed out of Aramus. These new serif typefaces are readable and graceful — part of my development of a series of book families. Aramus...
Acadami is an experiment toward what will hopefully be my masterwork (probably named Hackberry). It’s also the font used as I get used to FontLab 5. The serifs are stronger and sharper. It’s modified...
Ablati is the commercial release of the font designed during the production of our new font design book, “Practical Font Design”. It is a new serif font in my continuing objective of designing book...
Bushing is a quick serif experiment going for open light display type. For years I have always stopped and really liked what I saw with fonts like the original Cushing from the turn of...
Buddy is the new companion sans for Contenu, the book font family designed for my book on font design design. Originally, I called it Compagnon, but that seemed to pompous. Then I called it...
Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the...
Chunkie is a simple serif experiment going for minimal width and maximum height. I made it into my display version of OpenType Pro, but mainly it was a vehicle for me to try out...
Cutlass was just for fun. A year ago or so [2009, maybe], someone on typophile showed a scan of the word “Ciruelo”. I liked it. Those were the only letters I had and no...
AggressIan is the release of the first font I ever drew. It was done by hand with triangle and parallel rule back in the mid-1980s. I originally called it Aggressor, but I never liked...
CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative...