font_designer: Dieter Hofrichter
Sina Nova is the slimmer sister of Sina. It has a slightly vertical tendency, a higher x-height which makes it more open in small text sizes. Its economical proportions allow an even more universal...
Foro was designed in 2012 to be a slab serif with an appealing flow, warm, and less harsh than many slab serifs. It evinces an attachment to humanistic shapes, models and proportions. Foro’s demonstrated...
Epoca-Classic, designed in 2012, is the contrasted sister of Epoca, also suited for text and display. As is the case with Epoca, Epoca-classic has economical proportions, a neutral appearance and a discreet elegance. It...
Ashbury derives its inspiration from 18th century transitional types such as Caslon and Baskerville. It is, however, not a revival but interprets formal aspects in a new and individual fashion. With a flowing outline,...
Civita is a new ‘Modern Type’ with a high stroke contrast, distinct formal features, and a strong personality. It has a fluid ductus but nonetheless a solid structure. Civita is well equipped with many...
Sixta, a new monoline face with a classical background, has comfortable proportions and a puissant appearance. Although it has plenty of movement and is eventful, its discreet stroke ductus makes it excellent both for...
Capita, a serif-dominated face in a new style. Strong in appearance, with controlled motion of the contour, vivid and warm, with gentle flow – it avoids any harshness of many slab serifs. Well-balanced proportions...
Carat is a contemporary interpretation of a classic serif type. Fresh and clean in appearance. Straight, unsentimental and objective. Ideally suited for text but also with crisp details in display. Well-equipped for ambitious typography,...
Qubo, a new forcefully drawn monoline face. Its clear graphics create its appeal and give it distinctive characteristics. The slightly squared round elements make for an open and elegant look; subtle details refer to...
Quant is a contrasted typeface with a fresh and well-reasoned appearance. It owes allegiance to classical structure but is a free design and does not refer to any historical model. Although it has strong...