font_designer: Paul Lloyd
Daub captures the look of old-style graffiti—it’s graffiti from the days when vandals used a brush and a pot of white paint. Not an airbrush or aerosol in sight. Use Daub to give headings...
Absinette takes us straight back to 19th century France. Its a decorative family of Roman faces in three widths as well as a more elaborate inline style, ideal for posters with an Edwardian or...
Chiara Script has a very simple origin. It’s a highly stylized interpretation of Greater Albion’s chief designer’s handwriting! It combines legibility and cursive characters in a distinctive blend and includes a range of OpenType...
Svengali Roman is loosely inspired by a scrap of 1920s newspaper posted in the Typophile font identification forum. The consensus view there favored the view that the specimen showed hand-drawn lettering. As that lettering...
Mellin takes us to the simple designs of the Streamline era. It is based on heavy vertical strokes with a slight taper. Mellin is offered in a solid form as well as an open...
Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent’s For Sale board seen in an old sepia photograph from that era and combines visual...
Here’s something for all Halloween projects! Halloween Fleurons are hand-designed ornaments for your spooky enjoyment. Trick or Treat?
The Keynsia family revives the spirit of the 1950s. Its simple and elegant lines make for an eye-catching set of display faces. A range of different styles are on offer, all with an extensive...
Clementhorpe is inspired by the lettering on an early 20th century enamel advertisement-for chocolate. From the dozen or so hand drawn letters found in that source Greater Albion Typefounders have constructed a family of...
Great Bromwich takes the ideas in Greater Albion’s Bromwich family that little bit further. It can be used on its own, or as a compliment to Bromwich. Great Bromwich uses specially re-designed large and...