font_designer: Paul Lloyd

Absinette takes us straight back to 19th century France. Its a decorative family of Roman faces in three widths as well as a more elaborate inline style, ideal for posters with an Edwardian or...

Chapter Initials provide a true demonstration of how elegant simplicity can be modern yet retain traditional character without the blandness which seems so common these days. It’s ideal for exactly what the name implies,...

Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent’s For Sale board seen in an old sepia photograph from that era and combines visual...

Chiara Script has a very simple origin. It’s a highly stylized interpretation of Greater Albion’s chief designer’s handwriting! It combines legibility and cursive characters in a distinctive blend and includes a range of OpenType...

Svengali Roman is loosely inspired by a scrap of 1920s newspaper posted in the Typophile font identification forum. The consensus view there favored the view that the specimen showed hand-drawn lettering. As that lettering...

Clementhorpe is inspired by the lettering on an early 20th century enamel advertisement-for chocolate. From the dozen or so hand drawn letters found in that source Greater Albion Typefounders have constructed a family of...

Great Bromwich takes the ideas in Greater Albion’s Bromwich family that little bit further. It can be used on its own, or as a compliment to Bromwich. Great Bromwich uses specially re-designed large and...