font_designer: Paul Lloyd
Gildersleeve evokes the spirit of the Arts and Crafts movement of the 1920s. Think of a hand-cut Roman display face, with loving care lavished over each serif and letterform. Gildersleeve is offerered in the...
ButtonFaces explores just how much emotion and description of a character can be put into a simple iconic representation of a face. Use them as ‘Emoticons’ or traditional printers ornaments.
Here’s a bit of fun! Need a dingbat with character? Let these birds strut their hand-drawn way across your work.
Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is...
BonaVia is an adaptation of Greater Albion’s Bonning and Bonnington families. Its purpose made to enable the construction of banners and mastheads in the style of traditional streetsigns, and offered in Regular and ‘Blanc’...
Brossard is a slab serif face redolent of French atmosphere and the design ethos of the 1920s. Use it for headines and posters that need that distinctive élan or where a Continental feel is...
Bonnington is a Roman display face full of the spirit of the 1920s, developing further the ideas in our Bonning family. Three weights are offered, including a shadowed black form, in a choice of...
Cullion is a new departure for Greater Albion, being a modern Fraktur, embodying future trends sch as highly stylised glyphs, a single case of lettering and highly evolved letterforms. At the same time it...
Veneribe -the Venerable face- is an experiment in what many today might call ‘grunge’, though we at Greater Albion would probably prefer to talk of rustic (or if we’re feeling really old-fashioned rustick) charm....
Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a ‘Brave New World’ sprit that harks back to the 1930s and possibly also to postwar rebuilding in...