font_designer: Ralph Unger
A blackletter font of decorative style and of obscure origin which was rescued for all devotees of these old hot-metal letters. This font contains a bunch of useful ligatures, and by typing ‘N’, ‘o’...
Two fonts entirely of decorative initials of which the uppercase basic letters of RMU Initials One are occupied by Walthari initials, the lowercase ones by Eckmann initials, both released first by Rudhard, ’92sche Gie,...
Another Art Nouveau font revived from the treasure drove of the past.
The basic forms stem from Erich Mollowitz’ version which he cut for Trennert in 1936. These fonts were completely redrawn, extended with East European letterforms and some OpenType features. They are well suited for...
In 1968 Hildegard Korger’s Typoskript was cut by Typoart in Dresden, Saxony. This freshly redrawn and digitized version was extended to include Central European, Baltic and Turkish letterforms, and possesses various OTF features. It...
Classic Western-style slab serif font extended to include Cyrillic and Greek letter forms.
In 1927 Albert Auspurg cut Trocadero for the Trennert foundry in Hamburg. This new version is not a mere digitalization, but many letterforms were altered and updated, and missing links in the complete alphabet...
In the wake of the Enlightenment and the French Revolution there was a desire for a clear classical blackletter font without frills. That is why in 1793 the famous printer and editor Johann Friedrich...
Bernhard Cursive ExtraBold is one of Lucian Bernhard’s most expressive fonts which are worth to get preserved for now and times to come. An ideal font face for advertisements, posters, flyers, titles and subtitles.
Luxor Pro is a semi-encircled Egyptienne with exaggerated serifs. It is a font of Victorian style which was widespread in Europe and America at the fin de siècle, especially in advertisements.