font_designer: Ralph Unger
Bernhard Cursive ExtraBold is one of Lucian Bernhard’s most expressive fonts which are worth to get preserved for now and times to come. An ideal font face for advertisements, posters, flyers, titles and subtitles.
Luxor Pro is a semi-encircled Egyptienne with exaggerated serifs. It is a font of Victorian style which was widespread in Europe and America at the fin de siècle, especially in advertisements.
In 2012 the city of Schwäbisch Gmünd will celebrated its 850th anniversary, and in 2014 it was host town to the State Garden Show of Baden-Württemberg. These both celebrations were the background to create...
In 1905 Berthold released an engraved blackletter font called Prinzess Kupferstichschrift. Based on an old printed remnant, I revived this beautiful open-face fraktur and enriched it with several OpenType features. As usual in my...
This font family is based on the letterforms of a fin-de-siècle sans serifs, and comes in two versions – Roman and Shadow.
A script font of broad nib style, both plain and engraved.
Based on remnants of the Typoart, Dresden, version of Impuls, this is a carefully extended pro-version covering Europe’s main languages written in Latein letters.
This blackletter font displays best the voluptuous coziness of South German Baroque. You almost automatically visualize Alpine villages and Swiss chalets, or buxom girls serving beer in steins or herding their bell-ringing cattle.
Good ideas never will die. Based on the concepts of former Leipzig student Volker Küster in the mid-1960s, I redrew and digitized the basics and extended them into a complete multilingual caps-only poster font...
A legible multi-purpose, multilingual monoline-script of great clarity.