font_designer: Ralph Unger
A blackletter font tending towards the gothic which was released by Klingspor, Offenbach am Main, in 1937. Claudius can be used for clerical as well as for secular purposes and shows a strong character...
The name of this blackletter font was chosen due to the centennial of the Bauer Foundry, Frankfurt am Mai, in 1937. Ernst Schneidler probably created then the most beautiful of all fraktur fonts. They...
This font family is based on the letterforms of a fin-de-siècle sans serifs, and comes in two versions – Roman and Shadow.
A script font of broad nib style, both plain and engraved.
In 2012 the city of Schwäbisch Gmünd will celebrated its 850th anniversary, and in 2014 it was host town to the State Garden Show of Baden-Württemberg. These both celebrations were the background to create...
In 1905 Berthold released an engraved blackletter font called Prinzess Kupferstichschrift. Based on an old printed remnant, I revived this beautiful open-face fraktur and enriched it with several OpenType features. As usual in my...
Based on remnants of the Typoart, Dresden, version of Impuls, this is a carefully extended pro-version covering Europe’s main languages written in Latein letters.
This blackletter font displays best the voluptuous coziness of South German Baroque. You almost automatically visualize Alpine villages and Swiss chalets, or buxom girls serving beer in steins or herding their bell-ringing cattle.
Good ideas never will die. Based on the concepts of former Leipzig student Volker Küster in the mid-1960s, I redrew and digitized the basics and extended them into a complete multilingual caps-only poster font...
A legible multi-purpose, multilingual monoline-script of great clarity.