font_designer: Ralph Unger
Plastica Pro, inspired by a J. Lehmann design, is an ideal plastic font for posters, logos, corporate identity, headlines, booktitles, car and truck design etc. The Plus style includes Cyrillic and Greek glyphs.
The late-19th and early-20th century standard blackletter family in Germany, in three weights. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s...
Herbert Thannhaeuser’s 1953 titling font Erler-Versalien which was distributed by Typoart in hot-metal times, was carefully redrawn and redesigned. To preserve its handwritten character, irregularities in the letters’ strokes were left as they are…
Steinschrift Pro is a condensed sans serif font which comes with West and Central European as well as with a Cyrillic character set.
Borghese – a 1904 Schelter & Giesecke font in Art Nouveau style was completely redesigned and is an ideal body text companion of display fonts like Ridinger or Reznicek.
Based upon H. Broedel’s Hogarth Script, Gillray Pro, an RMU design, comes with two weights: Light and Medium. This formal script font is ideal for invitations, diplomas, certificates, book titles, ads etc.
Emil Rudolf Weiss’s 1920s Antiqua font family redrawn and redesigned for nowadays use.
Reklamefraktur is a stout, eye-catching blackletter font for labels, product branding, posters, ads, the internet and much more.
Weiss’ gothic-style blackletter font completely redrawn and redesigned for present-day use. This font contains a bunch of useful ligatures, and by typing ‘N’, ‘o’ and period plus activating the OT feature Ordinals you get...
Schelter & Giesecke’s grotesk font family, widely used for their marketing and in-house prints, now revived and extended with a Cyrillic character set and old-style numerals.