font_designer: Ralph Unger
A tribute to Jan Tschichold. His hot-metal font Saskia was released in 1931 by Schelter & Giesecke. This elegant italic font was finally redrawn, extended and digitized for present-day use.
Walter Brudi’s elegant shadowed display font brought to life again and carefully extended with Baltic, Turkish and Central European character sets.
Picking up a concept of Fritz Richter, Circensis is the realization of an adorned diplay font which had not been hitherto available, neither as a hot-metal font nor digitally. It is a great and...
Inspired by the former Schriftguss, Dresden, font Echo, this fresh-drawn und designed Neue Echo can be filled in many different ways, and makes it a great display font for labels, posters, headlines etc.
The letter faces of the former German catering organization Mitropa.
Inspired by Demeter’s Geperle Fournier, Baroque Pearl is a highly ornate display font of the same style which was carefully extended with Baltic, Turkish and Central European character sets.
Bernhard Blackletter can be compared to a tuba, adding its deep bass sound to the orchestra of blackletter fonts. This font contains a bunch of useful ligatures, and to access all, it is recommended...
Walter Tiemann’s elegant display font brought to life again and carefully extended with Baltic, Turkish and Central European character sets.
Like Phenix out of the ashes the former Schriftguss hot-metal font „Rautendelein“ has come to live again. Carina Pro was carefully extended for multilingual use, and contains a few alternates which can be activated...
This crisp and constructed Ludwig Wagner, Leipzig, blackletter font in textura style had been originally designed by Berthold Wolpe. Freshly redrawn and redesigned, it adds now to the treasure trove of historic typefaces. This...