Styla is a refined romantic sans, in the best tradition of Didot and Bodoni. The combination between Styla’s feminine grace and sharp endings creates an air of seduction, ideal for magazines, ads and books...
I always admired the beauty of Gothic letters, but lamented their low readability. The revivals of Gothic faces are beautiful, but they revive everything, including the traits that prevent readability. Blackletters are fine in...
Le rock is the newborn sister of my first typeface Jazmo and a relative of my music-inspired font family. Le Rock seems to wiggle and jiggle a little as if it invites you to...
In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the Seizième...
David Kowalski’s typeface Maccaroni is based on a logo type and has been designed to a complete typeface in Prof. Veljovic’s Type Design course at HAW Hamburg. Maccaroni breaks the traditional brush scripts and...
Quendel has been expanded to become Quendel Happy Family. Apart from the new Bold weight for easy distinction and emphasis, there are now four other very exciting variants, rendering different writing tools and writing...
Labyrindo is inspired on the classic Labyrinth. The oldest known labyrinth is 3200 years old and is to be found in Greece. The mythological king Minos held the monstrous son of his wife ‘Minotaurus’...
Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. Designed as part of a...
Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. Designed as part of a...