The idea for this completely new font design with overlapping characters came when Axel Stoltenberg, longtime IKARUS program developer at URW + +, visited a restaurant. As it can be seen quite often ,...
The characteristic ‘French face’ was originally made in 1899 under the supervision of Joseph Pinel. Thus, what was originally French 10 pt. Nº 2, got its present name. The Frenchman Joseph Pinel called himself...
Filistique is gracious, flexible, and stylish. In the first sketches of this typeface, the one-line drawing principle was the rule. This principal had to perish soon when more complex characters came up. But still...
Nipon has an affiliation with the Far East. The first character I designed for this alphabet was the capital P. The stepped thin lines are linking to the Japanese characters and the circle shape...
The rasterized square (clear, therefore 4 as part of the font name) was the constructive basis. The intention was to put all characters within this grid and produce a highly structured, yet lively, resting...
The idea was to create a fully equipped handwriting script. Thus equipped with all kinds of typographic features like for example true small caps, lots of special characters, different sets of figures, real underlining,...
Sultania is a harmonic synthesis of the old characters’ suppleness and the resolute, clean design of modern typography. The rich in contrast calligraphic approach with thick and thin strokes is still visible and you...
Seven superb scripts, to be freely mixed with one another. Alone, each of them flows nicely, but combined they reach ultimate vitality and grace. The Pleiades are one of the most beautiful constellations in...
Marit Otto about New Daily: This typeface design has a modern but yet classic appearance. That is why she listens to the name New Daily. I took some elements from the Art Nouveau and...