RMU Koralle
Koralle was an abundant family of grotesque font styles which had been released by Schelter & Giesecke in the first quarter of the previous century. Out of this family four of the most impressive...
font_foundry: RMU
RMU Narziss
In 1921 the Klingspor foundry released Walter Tiemann’s Narziss™. This beautiful and elegant font was completely redrawn and redesigned and extended to cover major European languages East and West. The font contains also a...
Gmuender Kanzlei
Inspired by some handwritten letter forms originally made by Hermann Zapf for his 1949 book “Pen and Graver”, the drawings and designs finally became an entire font. It is an ideal companion to create...
Hoyer Script
Hoyer Script™ is a fresh redesign of Hans Hoyer’s Schoenschrift, a slender vintage italic with a calligraphic touch. This font should be used like my blackletter fonts. It means that the s-key is occupied...
Hoelderlin
In 1938 the Frankfurt-based foundry Ludwig & Mayer released Eugen Weiss’ beautiful fraktur ‚Hoelderlin‘. Carefully redrawn and redesigned, this digitized version is intended to add another gem to the enthusiasts’ treasure drove of blackletter...
Carlsbad
The Carlsbad font family is a bringing together of Regina Cursiv and Hansa Cursiv which both had been released by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895. Both these beautiful Art Nouveau italic fonts...
Dante Alighieri
From the great Schelter & Giesecke collection, Dante Alighieri is a splendid companion to Aldo Manuzio. With its rather condensed characters it makes an ideal body text font even for narrow columns. Dante Alighieri...
Salzmann Fraktur
Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.
Tombola
Inspired by painted letters of Otto Heim, “Tombola” reflects in a charming way the feelings of the Roaring Twenties, especially in advertisement and in the creation of posters.
Kis Antiqua Pro
These Typoart fonts were redesigned and revived for modern use. The italic style got an entire set of swash caps, and both styles contain superior and inferior numerals as well as the historical long...