In 1885 Heinrich Wallau, printer and typographer in Mainz, picked up the idea of creating a rounded gothic font written with a broad nib. This idea was then realized by Rudolf Koch between 1925...
Hans Bohn’s Orplid, a shadowed sans serif font strongly influenced by the then prevailing Bauhaus style, and released by Klingspor in 1929, was revived and vastly extended for multilingual use. In addition, a filling...
Inspired by Schelter & Giesecke’s Sylphide Sylphe Pro comes as an elegant, calligraphic Italic with the touch of the Golden Age of type design. This beautiful font encompasses most European languages, Central and West,...
RMU Gloria is a family of two stylish fin-de-siècle fonts, formerly released by the Gursch Foundry, Berlin, which additionally were spiced with elements for frame making.
In the last decade of the 19th century, Bruce Type Founders, New York – among others – released this shaded typeface which they named Bowery. Carefully redrawn and digitized, RMU Bowery breathes fresh life...
The former hot-metal font Sebaldus Gotisch, a 19th century Berthold in-house design, was carefully redesigned and updated for today’s use. This font contains a long s which you can access by typing alt b...
At the end of the 19th century, the fin de siècle, both Bauer and Berthold released ‚Herkules‘, a heavy Art Nouveau font for ads and posters. This font was carefully redesigned and makes it...
G. G. Lange’s expressive italic ‘Derby’ with its calligraphic touch has come to life again. Carefully redrawn and extended for multilingual usage, ‘Turnier’ is an ideal font for ads, posters, book titles and much...
Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again. The long s can be reached by typing alt plus b or...
This great Victorian display font of the late 19th century was revived for today’s use. You also find two frame elements. To start setting a frame, type [shift] + [alt] + p for the...