font_foundry: Solotype

Authentic copy of the original, with a couple of minor changes to the caps, making them fit better. Although made for the American market by an American typefounder, we found this font in a...

One of the many Solotype experiments in developing fonts with an ethnic flavor, this one is a bit less obvious than most. The lowercase seems to work well.

This was a favorite of job printers in late Victorian times. They used it on cards and stationery, as well as small handbills. It was made in a range of sizes from 10 point...

Originally made in seven sizes, 6 to 48 point. Our font was digitized from the 24 point which we found in 1947 in a Sparks, Nevada, newspaper shop. Typical of the late nineteenth century...

This is our name for Antique Tuscan, of which there were many variations. This font came from a large lot purchased around 1970 from an east coast newspaper shop. Subsequently, we acquired several more...

This was put together by Dan X. Solo to provide a quick way to set headings for a circus brochure. The name was given in recognition of the Baraboo Circus Museum. The end pieces...

George Bruce’s New York foundry had a remarkable number of decorative types, most of which were lost or destroyed when the firm was taken over by the American Type Founders Co. and closed down...

This was originally brought out as a caps-only font, but later the foundry scrounged up a lowercase that wasn’t our idea of a very good match. So we cleaned up the caps and made...